
TANNER SMITH
SCRIPT TO SCREEN WORKSHOP
BLOG~
This was my
fourth year at T Tauri and I really wanted it to be
special because it was my last year as a camper. I love
going to camp every year—it’s like my Hogwarts, my Camp
Half-Blood, or whatever; like the one place I look
forward to every summer to do the thing I love most and
that’s make a movie. It’s like the coolest school and
it’s only for a week. This was my last year because I
was seventeen and that’s the maximum age for a camper.
After that, young filmmakers are taught and are ready to
give moviemaking their all.
So, I was determined to make this week memorable. I was
planning to make a documentary based on the
Script-to-Screen workshop because that’s the one that
really captures the point of T Tauri—kids planning and
making a short movie within four days. I wanted to call
it “We are the Future of the Movies” because seriously,
that’s what we are.
So, on Wednesday, July 29, I was reacquainted with my
old friends—like Nathan Burroughs, Nathan Mabry, Dylan
Scarbrough, Teva Kvern, among others—and went into the
room full of movie campers, ready to begin. Will
O’Loughlin was instructing all of us on how to operate a
camera and a boom mike. Personally, I think the guy
knows so much that he’s afraid we won’t understand what
he is talking about. And he really does know a lot (or
else he wouldn’t have been there for five years). What
surprised me was him saying that despite using a big
Canon camera for years, he’s never owned one, saying it
cost a lot of money.
After going over the basics of digital video, we were
split into four groups. I was with Nathan B. again (we
were in the same group last year), along with Kate Moses
(of last year’s Crime and Judgment) and newcomers Jamey,
Chandler, and Nick. Also, there was Gage Davidson, who
was famous for saying repeatedly, “I’m Gage Davidson.”
Our mentor was Michad Holliday, a very talented
independent filmmaker. So, we went into Room 102 and
tried to come up with an idea for a short film. Nathan
had an idea for a movie based on a cool book he had
called “The Time Traveler’s Journal.” And Kate had an
idea for a government espionage thriller. So, we linked
them together to form “The Perfect Illusion,” an
espionage-time travel adventure. It had two plots—one
involving a wicked senator from the future chasing after
a time traveler and the other involving two boys as they
find a magic watch and journal by the time traveler.
Both plots come together in the end. It was a pretty
good idea, I thought. So I was ready to do it. Gage came
up with the name “Room 102 Rockers” for the group.
The other groups had developed ideas that day too. One
group—Other Side of the Door Productions—had an idea of
a high school nerd whose girlfriend is trapped in
“Pandora’s Bathroom.” Another group—Parody
Productions—had an idea of badly done scenes from big
movies, such as Spider-Man, Star Wars, Batman, and
Indiana Jones. And the last but not least
group—7Merits—had an idea of a fight school and a
kidnapping. We expressed our ideas to everyone at the
camp and had to be ready to film the next day…
The next day—Thursday—the groups met with each other to
get ready to film their ideas. But something was
strange—Gage Davidson never showed up. And Casey
Chambliss—a kid who was in 7Merits—never showed up
either. And to this day, I still don’t know why. So, my
group had to do the movie without Gage.
One thing about filming the movie—Nathan and I were in
our own scenes and Chandler, Jamey, Kate, and Nick were
in their own scenes. Chandler, Jamey, Kate, and Nick’s
lines were scripted (written by Kate) and Nathan and I
weren’t given many lines so we had to improvise almost
throughout the shoot. I play the calm heroic type and
Nathan played the Steve Urkel type—with a squeaky,
high-pitched voice and a wimpy way about him that would
not be fit for a feature-length film. Watching Chandler,
Jamey, and Nick rehearse their lines in one particular
scene was always fun to watch. Chandler played a senator
and the other two played his robotic flunkies. And
Chandler had to slap around them and yell the line that
we kept saying every half-hour while we were not
filming—“Smarter? SMARTER?! We’re the American
government!”
That day, everything was great. We all knew who we were
and we knew exactly what we were doing. It was grand.
Also, I kept my own camera running a few times when we
were filming for my documentary. I also filmed the other
groups filming scenes.
Then on Friday, we still had a few more shots to get
before getting to the hardest part of all—editing. We
had these iMacs supplied for us in a room for all the
groups to edit their own films. Luckily, Michad knew
what to do. Then, we had to do our part by finding sound
effects and music for the film. Then, at lunch, I
interviewed a lot of people at the camp for my
documentary. I got some good answers to the questions of
the best things about T Tauri, if they liked T Tauri,
and what they came for. So, I got a lot for the
documentary.
Then on Saturday, all the groups had to finish editing
their films in a hurry so they could be shown at 7:00pm.
In the meantime, the T Tauri Film Festival was underway.
This year was special for me because this was the first
year in which I had a project in the festival. It was a
minute-and-a-half long teaser trailer for my
feature-length film “Specter.” It was a first for Nathan
Burroughs too. He had a short documentary in the
festival about a man in Arkansas who built the first
apartments in which children were allowed as tenants.
So, the films were shown and I enjoyed watching them.
The movie I really liked the most was a short comedy
called “Checkmate,” in which three nerds learned to
dance. That was funny. However, to my surprise, one
movie I did NOT like was from Spy Hop Productions, which
usually makes great short films—some are the best I’ve
seen. It was a drama called “Suspect” which had setups
and nothing else. I was disappointed.
Then was the big night—the night in which all the movie
camp films were to be shown. All the campers’ families
were there, waiting to see how the projects turned out.
I’m sure they were just as excited as the campers. And
when they were all shown and everyone clapped after each
of them, I could tell that they all enjoyed them.
Well, this year was one of my favorite years at T Tauri—I
made my favorite film there since the one I made my
first year, made new friends, made a documentary about
the whole experience, and made my last year at camp be
great. I hope I get to be a mentor next year.
TANNER SMITH
SQUISH AND SQUASH
HAND-DRAWN ANIMATION WORKSHOP BLOG~
“Welcome back
to T Tauri,” I kept telling myself from the moment I
stepped back into the UACCB Independence Hall building.
This was my fourth year at T Tauri but my second year
taking the animation class. Last year, it was called the
Digital Flipbook and it was taught by Mr. Osborn, a
talented animator. This year, it was renamed Squish and
Squash and was taught by Wes, also a talented animator.
There were a lot more kids in this workshop this year
than there were last year. Once all the kids arrived,
Wes went down to business and taught us the basics of
animation. Last year, Mr. Osborn gave us the easy way
out in animating. But this year, with Wes, we weren’t
getting let off so easily. We had to work harder and
with bigger paper, unlike the small index cards used
last year. We were given more insight on animation by
watching the short animated films of the past. One, for
example, was “Steamboat Willie,” Walt Disney’s 1928
Mickey Mouse cartoon.
There were a lot of kids so rather than just make one
animated PSA (Public Service Announcement), Wes decided
to split us into two groups to have two animated PSAs.
One group had to do a PSA on seatbelt safety and the
other group (my group) had to do one about a
big-brother/sister program. And we all had to animate at
least one sequence. It was hard work but once we got the
hang of it, it was actually kind of fun. It was fun as I
went along with an animation that I did in which a
bowling ball is rolling along a floor to smash into the
bowling pins. I had to use a lot of paper to keep the
ball rolling in one spot (showing the holes rolling as
it animates) while the pins get closer and closer. I
kept getting into the process and it was fun for me.
Every student in the workshop had to work like that—work
on a lot of paper and have one thing happen after
another as it animates.
Animation is hard work but good fun and Squish and
Squash was a great experience at the movie camp.

DYLAN SCARBROUGH
CAMCORDER FUNDAMENTALS
WORKSHOP BLOG~
This year I
worked at the Camcorder Fundamentals workshop offered by
the T Tauri Movie Camp. It took place at the Arkansas
Sheriffs' Youth Ranch in Bethesda, Arkansas and was
taught by Juli Jackson from Paragould and her boyfriend
Jim came along from California to help. The ideas of the
Camcorder Fundamentals are more or less limitless, and
have ranged from cheering up flowers to jumping joyfully
on a trampoline. This year the ideas were awesome: with
apples, paper airplanes, Rebel bikers, and joyful music.
I myself worked as an assistant alongside Juli and Jim.
The first thing I did was help Jim with a mock film to
show the kids what they would be doing during their
camp. This turned out OK for a film that was worked on
for two hours.
Camcorder Fundamentals was split into two time periods.
The younger kids in the morning hours were full of
youthful ideas of super powers and dancing. But before
they could start filming Juli went over the basics of
turning on the camera, putting in tape, checking
battery, and some simple camera angles like POV shots,
wide angles, and close ups. Little kids are so fun to
work with. After calming down and getting in the basics,
the younger kids filmed their movies. The older group
after lunch did the same but they were harder to get
ideas out of, but they started talking and got very
excited trying to get really awesome angles and shots
(well as good as they could). The kids were amazing. I
had fun helping Juli work with them and out of it I
learned a few new things from Jim and Juli, and my
little buddy Zoey!
